Chair, LIS Department & Associate Professor
All that you touch, you Change. All that you Change, Changes you.” - Octavia Butler, Parable of the Sower
Anna Oldfield began by studying Russian and Slavic languages and literatures and then branched out into the Caucasus and Central Asia. She has studied abroad and led student groups in Moscow, collected oral histories in Ukraine, studied two years with women bards in Azerbaijan, studied Turkish in Istanbul, and taught as a Fulbright in Kazakhstan, given workshops in Kyrgyzstan and Uzbekistan. Her research centers in Central and Western Asia and focuses on epic, music, folklore, literature and film. Her teaching and scholarship focus on forging links of respect, understanding and empathy across cultures. Oldfield has worked on cultural exchange initiatives with the British Library, Smithsonian Folkways, the Azerbaijan National Archives, the San Francisco World Music Festival, the International Council of Traditional Music, and CCU’s China exchange initiative. She is currently collaborating with Uzbek scholars on a translation of Uzbek short stories.
Ph.D. University of Wisconsin-Madison – Languages and Cultures of Asia
M.A. University of Arizona, Russian and Slavic Languages and Literatures
B.A. University of New Mexico, Russian Studies
Has served on the Fulbright ETA selection committee for South and Central Asia since 2017.
Conducted a workshop on “Translation - Theory and Practice” at the invitation of the Azerbaijan University of Languages and the Azerbaijan Ministry of Education in collaboration with the US Embassy American Corner in Baku. January, 2022.
Partnered with CCU faculty Emma Howes and Ben Sota and faculty of the T. Zhurgenev Kazakh National Academy of Arts for an entry performed at the Prague Quadrennial of Performance Design and Space, 2019
Spent 6 weeks as a Fulbright Specialist in Kazakhstan at the Ablai Khan Kazakh National University of World Languages and International , 2017
Contributed to the project Musical Geographies of Central Asia hosted at the University of London, 2012: https://www.akdn.org/akmi/musical-geographies-central-asia/anna-oldfield
Worked as cultural liaison and translator on Volumes 4 and 6 of the Smithsonian Folkways Music of Central Asia series and at the Bardic Diva’s Gallery shows and performance for the Smithsonian National Museum of Asian Art, 2012
Apprenticed herself to a woman bard in Azerbaijan, but sadly has no musical talent.
World Literature and Film across regions and genres, including classics, epic narratives, folklore, 19th and 20th century novels, magical realism, women’s literature, literature of central and western Asia, Russian and East European literature and film, intercultural studies.
Epic narratives, folklore, music, literature and film of Central and Western Asia; decolonizing world literature, women bards, diasporas, borderlands areas, cross-cultural reading, translation studies.
“’Don’t Get in my Face Like Ashiq Peri’: The Legacy of Azerbaijan’s Most Famous Woman Bard.” In Memory, Voice, and Identity: Muslim Women’s Writing from across the Middle East, Ed. Feroza Jussawalla and Doaa Oman. New York and London: Routledge (Routledge Studies in Twentieth-Century Literature), 2021.
“Concerto for Solo Piano: Rethinking Diaspora Music with Azerbaijani Women Musicians in the United States.” In The Routledge Handbook of Asian Diaspora & Development, Ed. Ajaya K. Sahoo. New York and London: Routledge Press, 2021
“The Azerbaijani Ashiq: Musical Change, Transmission, and the Future of a Bardic Art,” co-authored with Behrang Nikaeen. Journal of Folklore Research 57, 3 (September-December 2020). Bloomington: Indiana University Press. 1-25.
For more information, visit https://aoldfieldccu.wordpress.com/